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April 19 , 2024
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JOSE BEDIA: Edging on unsettling existentalism

You loom towards five three-dimensional, towering black figures draped in all black, complete with cowboy hats and masked faces in the dark cloaks, all holding a red flag with a cross in the upper corner. They stand before a mound of sand in the middle of the room where someone has just been buried and five figures have their swords erect in the sand around the grave. Strange, creepy, disturbing, yet you find yourself wanting to know more about what is going on, who these figures are and who they have killed and buried.

Within a saturation of Cuban works in Miami’s Hispanic art scene, JosE Bedia brings the slightly different taste of Mexican culture to the table. In his latest show …You had to be there at the Fredric Snitzer Gallery, Bedia takes the viewer to witness the cultural celebration of Holy Week in Sonaora, Mexico.

Behind the five solemn figures is a simple background painted directly onto the wall of what appears to be a church on the horizon. Peering over is “the spirit of the deer,” which, Bedia explains in his artist statement, “acquires the role of Jesus in the Indian synthesis.” The black figures themselves, he states, “represent evil and they are Roman soldiers.”

All the other pieces are two-dimensional and carry the same color motif of black and blue, while one dominates the entire wall with its long and narrow shape and an ambiguous depiction of a car/UFO with numerous headlights and wheels. In the vehicle are several animals equally spaced out, sitting upright with a human man in the driver seat. “Nunca ofrezcas ‘rides’ a extraOos” is spelled out in the backdrop: “Never offer rides to strangers.”

Moreover, three other works show eccentric battleships, being put forth in motion by a crew of rowers with horns. As one solitary figure smoking a cigarette is contacted by a spirit, in the next painting, he tells the spirit to go, and in the third, the same character is giving the thumbs up to a figure who’s sinking and sabotaging the battleship.

Bedia’s works skulk towards you like ominous rattlesnakes menacing you with trembling rattlers. Beware and walk in with caution…

…You had to be there is at Fredric Snitzer, 3078 SW 38 Court, Miami, through the end of the month. Call 305-448-2976 for more info.

Kira Wisniewski can be reached at kira@punks.net.

album reviews: Badly Drawn Boy leaves Donnie with a Pumpkinhead

Pumpkinhead
Beautiful Mind [EP]
** 1/2

Descending into the obscure and murky dungeon of Brooklyn’s underground across the shadowy figures of the Def Jux family spitting their cryptic philosophies and arcane words of wisdom, you veer another way to find a hip hop logician concocting a special brew of witty, often facetious lyricism and idiosyncratic beats in his very own underground lair. NE Robert Alan Diaz, Pumpkinhead’s got a raucous, forceful delivery, remindful of a Latino Aesop Rock and his rasping voice lays it down severely on the first track, “Blacklisted,” letting listeners hear his scorn for ritzy, fashion show rap: “I rap better than you, duke/I do it for the love/You do it for new shoes.” “Pumpin (Pause!!!),” a straight, no chaser, hip hop theme song, is hewn with gritty lyrics, atop a baleful beat, a dark, driving bass line and grandiose organs in the background. With “Supahstar (The Anti-Bouncers Theme),” he shoots a sardonic bullet-on a sitar-filled melody-at the domineering club gorillas, sputtering his disdain at the bouncers in a satirical, derisive story where the unrelenting bouncer (who won’t let him in) loses his job when Pumpkin realizes he knows the club owner from high school.
On “Mujer Triste,” his love ballad-melodic percussions, harps and gentle piano riffs-the rapper displays his sensibility to love: “I sit in the dark wondering why you take these routes, dealing with these men spewing hate out they mouths […]/They can care less, that’s not what love’s about.” Then, on “Brooklyn Academy,” feat. Immortal Technique, he comes back hard, marking his territory with a hawk-eye: “I’m beast of the underground/I’m hotter than lava rocks,” while always keeping a clever lyrical verve: “8 million stories in this world I’m told/ So on my notebook is where I put ’em/ You just a Junior like Cuba Goodin’.”
The energy and charisma of a ravenous MC is there, paving the way for another underground hip hop emissary, and his vibrant rhyme-style incites a cadenced head nod, though some hackneyed truisms occasionally submerge his nascent astuteness and fresh acumen on life in the urban jungle. Go to www.thirdearthmusic.com for more info.

– Omar Sommereyns

Donnie
The Colored Section
** 1/2

Today’s Neo-Soul scene borrows from the sounds of such luminaries as Stevie Wonder and Sly Stone. However, most of the artists in this scene falter from the absence of urgency that seeps through the speakers when one listens to classic soul records from the late ’60s and ’70s.
Donnie’s The Colored Section is a perfect example of this problem. On “Cloud 9” and “Wildlife,” he cranks out what might as well be lost outtakes from Stevie Wonder’s Innervisions sessions. On “Big Black Buck” he lifts several lines from Sly while he grooves along to some New Orleans flavored reeds. The blatant borrowing continues throughout the disc’s 14 tracks.
Musically, most of the tunes are on point with fluid choruses and perfect, lush production, and credit is due to producer/engineer/arranger Steve “The Scotsman” Harvey. It is obvious who is the mastermind behind this album. The background provided for Donnie is so well orchestrated that it’s a shame the man fronting these songs sounds so generic. Lyrically, it might as well be 1972. When he’s not verbally caressing his woman, Donnie is putting his “message” out to the people. If he wants to address the still stagnant stench of intolerance and trouble in America’s cities, he needs to up the ante and bring some new sounds to the table. Nobody would have listened to the message of the soul legends Donnie tips his hat to if they hadn’t concocted fresh formulas unheard to the average ear.

– Michael John Hancock

Badly Drawn Boy
Have You Fed the Fish?
*** 1/2

After winning the Mercury Music Prize for his 2000 debut The Hour Of Bewilderbeast and scoring the film adaptation of Nick Hornby’s About A Boy, Damon Gough (Badly Drawn Boy) has turned out a happy little album, sure to accompany your ride to the beach with modest simplicity.
The record opens with two semi-decent numbers before one of the better examples of Gough’s ability, “40 Days. 40 Fights” hits the listener like a dodge ball on the blacktop. Even the more serious numbers are overflowing with optimism, but never to the extent that Badly Drawn Boy is beating you over the head with his half-full bottle of beer. The playing on the tunes is superb, with a predictable cast of characters for a hipster singer/songwriter. Drummer Joey Waronker, studio wizard Jon Brion, and other pros add just the right amount of punch to tracks like the schmaltzy “Tickets To What You Need.”
The best characteristic of this music is the ability to sound relaxed and loose while remaining tight and precisely produced. With Gough’s wife and kids counting off the ethereal closer “Bedside Story,” the Boy and company have fed not only the fish, but a whole zoo of head-held-high notions.

– Michael John Hancock

Omar Sommereyns can be reached at SOASIS@aol.com

The Skate Park of Tampa turns 10

Hundreds of people trekked to North Florida this weekend to lose themselves in the 10-keg, four-band 10th anniversary bash for the world-renowned Skate Park of Tampa (SpoT) at the Masquerade in Ybor City.

As skaters and partiers faced sub-zero temperatures waiting in line outside, inside the four bands, Andrew WK, the Bouncing Souls, One Man Army, and Icon, were ready and accounted for. The employees of SpoT, decked out in cheap suits, were as roused as the freezing revelers outside as they stumbled across the stage in anticipation.

Little known opener Icon began their set as people trickled through the doors and headed immediately for the 10 kegs of free beer. By the end of their set, the venue was filled to capacity and only people who had purchased advance tickets were being admitted.

To a sold out crowd, the park unveiled the premiere of its skate video, 10 Years Of SPoT Video, on three massive screens. The footage featured skateboarders competing in the park’s famous annual Tampa AM contest, a naked boy skating on the vert ramp, boxing, and kids putting their lives in in the hands of a loop ramp. After its premiere, the video ran continuously throughout the night. SPoT was founded in 1993, and the video manages to compile moments from the park’s meager origins to its flourishing existence as a leading park on the East Coast.

Punk revivalists One Man Army (three members?) pulled out a performance that left slightly more impact on the crowd than Icon. A couple eager partiers jumped up on stage and danced around. It wasn’t until Andrew WK was about to take the stage that the crowd really flipped into party mode. From the first chord of the longhaired headbanger’s set there were literally dozens of kids onstage with him.

Andrew WK, clad in his signature dirty white T-shirt, acid wash ’80s jeans, and Nikes – could hardly be seen on stage from the floor. People were going ape shit over him. With three tracks from his current album, I Get Wet, with the word ‘party’ in the title, he was the perfect mascot for SpoT’s birthday party. When people crowd surfed on stage, Andrew WK was alongside them, hoisted proudly upon hundreds of shoulders.

Headliners, The Bouncing Souls, a classic punk band on Epitaph Records hailing from New Jersey, took a day off from recording their new album to show SPoT respect. They started out with a vacant stage, and once they went into “True Believers” it-was-over.

The crowd swarmed the stage to sing along with the Souls before being cleared off and stampeding again in larger numbers. Front man Greg Attonito weathered the youth storm by keeping the beat with his classic handclaps and finger snapping. The set was high energy as half the crowd was on stage while the other half continued moshing in a gigantic circle pit on the floor. Members of the band couldn’t see each other as they improvised the set list. Before packing up their van, they encored with four more songs, including an extended version of Johnny Cash’s “Born to Lose.”

The party was a huge success and an apt kickoff for the much-publicized Tampa Am competition that took place over the weekend. Ten years for a skate park is a milestone; props to everyone at SPoT from Life & Art.

For more info visit www.skateparkoftampa.com.

Kira Wisniewski can be reached at kira@punks.net.

L&A Briefs

It seems like eBay can come up with anything to auction to potential buyers, going as far as putting up Weezer frontman Rivers Cuomo’s alleged Harvard ID card. Lustful groupies can purchase the card for $3000 and go on to fondle it as they wish in their private time. The rock group’s latest effort, Maladroit, was Number Six on Spin magazine’s top 50 albums of 2002.

What’s the deal with some good ol’ comedy about getting high? Remember Cheech and Chong? Well, Variety reports that Tommy Chong’s daughter Rae Dawn Chong’s currently searching for potential distributors for the new film in the franchise, Cheech and Chong Get Blunt. Word to all the weed-heads…

Things are looking a bit queasy for the publishing industry: Americans are apparently reading less and less. According to USA Today’s Best-Selling Book list, sales were down 20% for the 2002 holidays compared to the same period last year. These sales peaked in 1999 due to J.K. Rowling’s mass-market Harry Potter series, but that’s even worrisome in itself. If ya’ll really read Life & Art, go out and get your read on damnit.

Times are iffy at The Source: thousands of petitioners in the hip hop community (including Hot 97’s Starr and Buckwild) have asked for the resignation of the magazine’s owner/rapper Benzino, who they claim has been using the publication to further his own interests-boosting his career, articles attacking Eminem, and honoring his group, Made Men, with a 1999 Source Magazine Video of the Year Award even though the video was seldom seen. What can we say, dude’s a slick businessman.

Gen Art hosts a fashion/video event at Oxygen

The Gen Art session that was held at Oxygen Lounge in the Grove on Friday seemed, at first, to be everything it should have been – a hip venue for new artists of different mediums to showcase their talent.

The mood of the lounge was expectedly relaxed and colorful, with blue teardrop lights and slide shows setting the background for the young socialite scene.

Jacques, the bartender, seemed to have no problem dishing out free Stoli mixed drinks and Heinekens to the eagerly accepting crowd. Perhaps this fountain of free drinks was an effort to distract people from noticing something funny about their surroundings – there was not more than an ounce of art in sight.

Three videos were looped continuously throughout the evening and a few attendees stood or sat around observing and discussing them, but most of the crowd seemed oblivious and more involved with their “crazy night last night in South Beach.” One of the short films was entitled What to Believe by Mario Escobar, and depicted a commentator, a lot of military propaganda, and repeated shots of large, bloodshot eyeballs. The word ‘capitalism’ flashed repeatedly throughout the film.

One fellow UM student noted that the film resembled the recent horror flick The Ring. “I feel like if I watch it to the end I’ll die,” she commented. The film seemed to deliver the message of a long lost anti-war film from the 1970s, aside from the spliced images of President Bush.

After the free drinks had worked their magic, a new video, Gang Girls 2000 by Katrina del Mar, livened up the screen as a preamble to the night’s fashion show. This video, loaded with petite, retro biker babes, street fighting and lesbians kissing on a beach, distracted people from studying the bottle menus. A man standing nearby commented that “this video, to men, is beautiful.” Finally the night was becoming more than just another well-lit gala as the art took front-and-center.

Fashion designer Jennifer Block noted that Gang Girls 2000 was the core inspiration for her collection. An alumni of the prestigious Fashion Institute of Technology in New York City, Block has designed clothing for Lil’ Kim, Sofia Bergara, and

RUNOVER

Buckeyes helped by Columbus-like atmosphere in Tempe

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Not even Moses could have parted the sea of red at this year’s Fiesta Bowl.
While Ohio State fans came in droves, UM fans simply drove to their nearest sports bar.
Outnumbered and out heard, Miami fans were no match as Buckeye fans quickly made themselves at home.
O-H-I-O, O-H-I-O radiated throughout all four corners of Sun Devil Stadium even before the game began and with only half the stadium full.
It only got worse.
Buckeye fans waited years for this moment and they were not about to leave unnoticed. Clad in scarlet and gray 60,000 OSU faithful traveled from their gloomy and gray Columbus campus and shined a ray of hope on their underdog team. Only 15,000 or so UM fans made the trip.
These Ohio State fans shaped and helped turn the tide to their team’s favor, in essence making the national championship game feel like a home game for their beloved Buckeyes.
Texas A&M is known for adding the 12th Man element at their home games, but these Ohio States fans one upped them – doing so in the biggest game of the year thousands of miles from home.
And there is no question that their presence was felt.
But there is no finding fault with Ohio State’s fans or their actions. They rooted for their team, as they should have. And there is no finding fault with the UM faithful that showed up for the game. They tried as hard as possible to give some support to their ‘Canes. But like on the football field, they too were overmatched.
But one of the most troubling aspects is that some Ohio State fans say they bought their tickets from Hurricane fans and some claim they even signed up for the Hurricane Club to gain access to tickets.
Student Government President Mike Johnston was one of the UM fans to travel to the Fiesta Bowl and heard first hand at what some of those Ohio State fans were saying.
“Ohio State fans were like ‘I guess it doesn’t take very much to become alumni of Miami,” said Johnson.
They were bragging about. They were just sitting around us in the UM section behind the band and cheerleaders.
“They were so proud of it. They were taunting us about it. ‘I’m a Hurricane Club member too’. They were trying to taunt. It was horrible.”
Horrible? Probably.
Genius? Most definitely.
If this is indeed true, kudos to those Buckeye fans who were smart enough to cheat the system. But shame on the Hurricane Club for allowing this to happen.
Winslow MVP
Tight end Kellen Winslow proved his worth once again. Time after time, Winslow came up big in the regular season. But his performance in the Fiesta Bowl was one to remember. Almost single handedly, Winslow brought the ‘Canes back from a 10-point deficit. His 11 receptions for 122 yards was a Fiesta Bowl record. Maybe it’s time for UM to change its name to Tight End U instead of Quarterback U. Winslow’s return next year should be key to the Hurricanes success.

McGahee Makes Correct Decision
Willis McGahee’s choice to leave early for the NFL draft was the correct one. By staying at UM, the Heisman finalist and UM’s single season record holder for touchdowns and yards gained, had much more to lose than he had to gain. The injury sustained to his knee was a devastating blow — one that may never enable him to be the same player he was before the injury. But whatever team lands him in middle rounds of the draft may very well get a great back in two years.

Other Observations
Is there anything to eat and drink in Tempe other than Tostitos and Pepsi?
Fireworks are dangerous — especially when the cherry lands on your laptop.
Standing on the Buckeyes sideline when they “lost” was a frightening experience.
Standing on the Buckeyes sideline when they “won” was a frightening experience.
Dorsey is a true champion.
Confetti is hard to clean up.
Coker is still one of the finest coaches in the country.
ESPN and ABC studios at the game were really neat.
The Buckeyes have one hell of a defense.
O-H-I-O is really easy to spell.
UM is still the best team in the country.

Jordan Rodack can be reached at j.rodack@umiami.edu.

Officials blew call, but Miami players blew game

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Four quarters of play, two overtimes, and 150 plays marked Ohio State’s 31-24 upset over the Hurricanes in the Fiesta Bowl.
What many are calling the greatest college football game ever, I call a sloppy game full of turnovers. It was a messy game that happened to go into two suspenseful and shocking overtimes.
Whether you call it a great game or a poorly played contest, everyone has diminished the game to a single play, an extremely questionable pass interference call on the ‘Canes in the first overtime.
Here is what went down. With Miami leading 24-17, Ohio State faced a fourth-and-three at the Miami five-yard line. If the Buckeyes failed to score, Miami would take home its second consecutive national championship.
Buckeye quarterback Craig Krenzel fired a fade pass to wide receiver Chris Gamble in the right front corner of the end zone. Miami cornerback Glenn Sharpe battled Gamble for position. Yes, some contact occurred between the two before the pass sailed past them. However, the ball flew over their heads and everyone, including believed the ‘Canes won the Fiesta Bowl.
Fireworks went off. UM players jumped up and down, while the Buckeyes were just down. All of the sudden, this slight moment of celebration came to an end. Everyone in the stands screamed – flag, flag down – field judge Terry Porter tossed his flag, calling pass interference.
“I saw the guy holding the guy prior to the ball being in the air,” Porter told The Miami Herald.
Said senior defensive end Jerome McDougle: “I don’t want to sit here and question the officials, I don’t want to rip them. Well, I want to rip them, but I won’t.”
Even the modest and reserved head coach Larry Coker was shocked over the call. Like the players and fans, he was celebrating at midfield when he learned of a flag on the play.
“From my perspective, it was kind of after the fact,” Coker said.
When watching the replay over and over again, I can confidently say that the call was ridiculous, especially in that situation. The game should have been over and I should be writing an article about a victory for the ‘Canes.
The Buckeyes wound up scoring on the next play and their next possession to take the 31-24 lead. They then stopped the ‘Canes on a fourth and one to win the national championship.
Yet, I am going to stop my what if story and firmly put down my foot. Yes, it was a bad call, but the ‘Canes had numerous opportunities to win the game. It shouldn’t have come down to the bad call in the second overtime.
First of all, three plays prior to the infamous flag, the Miami defense allowed Krenzel to convert on a fourth-and-14 pass to Michael Jenkins. The ‘Canes had no business giving up a long pass on fourth down, especially one by Krenzel who was only seven-of-21 for 122 yards in the entire game.
Most importantly, the Hurricanes turned the ball over five times. Ken Dorsey threw two interceptions and lost a fumble. His interception and fumble in the second quarter both led to Ohio State touchdowns.
Another Miami turnover may have been the biggest play of the game. On Ohio State’s first possession of the third quarter, UM safety Sean Taylor intercepted Krenzel in the end zone and ran wild down the sideline until Buckeye tailback Maurice Clarett stripped the ball out of Taylor’s hands. Ohio State went on to score a field goal.
The mental mistakes by the Hurricanes led to all 17 of Ohio States’ points in regulation. In addition, the Buckeye defense dominated the Miami offensive line that surrendered four sacks in the game.
So when you wake up from your recurring nightmares on how the ‘Canes got robbed, also remember the Dorsey turnovers, the poor play by the offensive line, and the Taylor mishap when crying why Miami didn’t win the Fiesta Bowl.

You can reach Brian Poliakoff at b.poliakoff@miami.edu.

A painful way for McGahee to end career

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Miami’s bid for another run at the national championship next year will come without two of its top playmakers, both of whom decided to bolt to the NFL.
Junior wide receiver Andre Johnson’s departure had been expected. But sophomore tailback Willis McGahee’s decision came as a surprise.
McGahee, a Heisman trophy finalist who set school records with 1,753 yards rushing and 28 touchdowns, seemed destined to return to the ‘Canes next season after tearing two ligaments in his knee in the Fiesta Bowl. He also was named first team All-American and a finalist for the Doak Walker Award and Walter Camp Player of the Year Award.
But McGahee chose to take his chances in the NFL by announcing to CBS-4 on Monday that he has opted to forgo his final two years of eligibility at UM.
“It was something I prayed on and something I discussed with my family,” McGahee told CBS-4. “I feel I can go up to the next level and give it my best I was told I can make a 100 percent recovery and that’s what I am planning on doing. It was my childhood dream and I am going to fulfill my dream.”
McGahee suffered the injury with only 10 minutes remaining in the Fiesta Bowl. After catching a screen pass from Ken Dorsey, McGahee turned up field before he was tackled by Ohio State cornerback Will Allen.
McGahee underwent surgery the following day at Health South Doctors Hospital where doctors repaired his torn anterior cruciate and medial collateral ligaments and gave him a positive prognosis.
But McGahee, once projected to go as high as the first round before his injury and command big money, now looks to a long rehabilitation. It is most likely that he will be placed on injured reserve for his first year in the pros – lowering his draft prospects — and salary — considerably.
There is no question that McGahee’s injury has cost him millions of dollars in the immediate future. And while it is uncertain he will ever be the same football payer he was before the injury, he is still expected to go somewhere in the mid-rounds of the draft when pro teams who have an extra pick to spare may choose to take a chance on him.
If he is unable to return to football however, McGahee is poised to collect $2.5 million from an insurance policy he took out before the Fiesta Bowl game. The policy states that if McGahee is unable to play football again he can collect the money one year from the date of injury (Jan. 3). He is allowed to play in three pro games before the policy becomes void.
Johnson’s decision to turn pro was expected even before the season began. During his three years at Miami, he has emerged as a premiere receiver in college football. This season he caught 52 passes for 1,092 yards and nine touchdowns. In last year’s Rose Bowl, Johnson shared MVP honors with quarterback Ken Dorsey after catching seven balls for 199 yards and two touchdowns – all career bests.
At 6’3, 227 pounds, Johnson fits the mold of a prototypical NFL receiver. With Michigan State’s Charles Rogers expected to be the first receiver taken in the draft, Johnson could go second or third. But he is still expected to be a first round choice.

Jordan Rodack can be reached at j.rodack@umiami.edu.

Loss stings for Dorsey

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Critics can question Ken Dorsey’s future as a star in the NFL, but no one can question the heart and dedication that he just could not leave on the field after the devastating 31-24 double-overtime loss to Ohio State in the Fiesta Bowl.
“I take all the responsibility for the loss,” said a teary eyed Dorsey in the locker room after the defeat. “If I didn’t turn the ball over we would have been in great shape to win our second consecutive national championship.”
Dorsey clearly struggled in his last game as a Hurricane. Ohio State’s game plan was to shut down Willis McGahee and force Dorsey to beat them in the air while facing constant pressure. Dorsey was unable to answer the challenge in college football’s largest showcase.
Dorsey threw two costly interceptions, lost a fumble and was sacked four times en route to what concluded the ‘Canes’ 34-game win streak. He finished 28-of-43 for 296 yards, but the turnovers overshadowed those statistics.
Dorsey started off well, giving Miami a 7-0 lead in the first quarter with a 25-yard touchdown pass to Roscoe Parrish.
Dorsey was able to connect on numerous occasions with tight end Kellen Winslow, who finished with a game high 11 receptions for 122 yards.
To give credit where credit is due, Dorsey did rally the ‘Canes from a 10-point deficit to tie the game at 17-17 when Todd Sievers made a 40-yard field goal on the final play of regulation.
In the first overtime, Dorsey gave the ‘Canes their first lead since the second quarter, when he found Winslow in the end zone. Yet, the Buckeyes tied the game after the infamous pass interference call that took away the victory for the ‘Canes, and eventually went on to score the game winning touchdown.
Yet, Dorsey still had a chance to lead Miami to tie the game in the second overtime. However, a ferocious hit by Ohio State senior linebacker Matt Wilhem forced Dorsey to the sideline for a play. After backup signal caller Derrick Crudup completed an eight-yard pass to Quadtrine Hill on third down, Dorsey came back to the field with the game – and the national title – in his hands.
Dorsey completed a first-down pass to Winslow, but then faced a fourth and one from the one-yard line. Ohio State linebacker Cie Grant came through the line untouched and Dorsey, unable to overcome the pressure, missed a wide-open Eric Winston in the end zone.
Dorsey dropped to his knees after suffering only his second career collegiate loss and then jogged to the locker room with his head down and helmet still on.
Reporters waited anxiously outside the Miami locker room and when we were finally allowed in, Ken Dorsey sat in his locker with a towel over his head, tears running down his face and 20-some odd tape recorders up in his face.
“I just didn’t get it done today,” Dorsey said in a quiet voice. “Our defense fought incredibly. I turned the ball over and ruined our chance to take home the victory.”
Dorsey took the loss extremely hard, as he was unable to hold in his emotions. Some may say that holding his head down and crying after the devastating loss was a bad example for his young teammates. However, I strongly believe that Dorsey’s emotions after the game showed his unmatched desire to win.
Dorsey concluded his great college career 38-2. His only other loss came in his sophomore season at Washington in 2000.
Critics have questioned his statistics and his overall play. They say Dorsey lacks arm strength, accuracy and mobility. Many believe that anyone with sufficient skills could run the Miami offense because of the immense amount of talent on the team. In addition, how can Dorsey be the best player in the country, when he wasn’t the best player in his backfield?
Ohio State agreed with the former statement, as they put most of its energy on stopping McGahee, who was limited to 67 yards on 20 carries before leaving the game in the fourth quarter with a knee injury.
Dorsey dismissed the critics who questioned his numbers. He finished the regular season with 3,073 yards and 26 touchdowns, was a finalist for the Heisman Trophy, the Davey O’Brien and Johnny Unitas Golden Arm awards as the nation’s best all-around player and the Walter Camp Player of the Year Award.
Dorsey missed out on winning all of the awards and was unable to win a second consecutive championship. Winning the title was what Dorsey put emphasis on.
The verdict is still out if or how well Dorsey will perform in the next level. But don’t for one second question his heart or desire to win.

You can reach Brian Poliakoff at b.poliakoff@miami.edu.

Boston College ends ‘Lady Canes win streak

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The Miami Hurricanes went into their first ever game at the Convocation Center riding an eight-game win streak. Unfortunately, all good things have to come to an end.
Boston College spoiled the debut of the ‘Lady Canes in the new facility, handing Miami a 79-61 defeat. The Eagles jumped out to an early 13-0 lead and prevented the Hurricanes from getting within single digits after that point. BC had a big height advantage coming in and took advantage of the ‘Canes in the paint the entire evening.
“We got down big early and we panicked a little bit and took bad shots,” coach Ferne Labati said.
Miami trailed by 21 at the half, 45-24, and could never get back into the game. The team embarked on a brief second half run that cut the deficit to 11 with about nine minutes left to play. From there, BC went on a 7-0 run of their own to seal the victory.
The big reason for the ‘Lady Canes struggles was in the rebound department. Boston College outrebounded UM 28-13 in the 2nd half, and 46-30 for the game.
“It wasn’t so much about getting outrebounded,” Labati said. “It was about hustle and effort. They outhustled us and we have to do a better job of giving full effort and getting after the boards.”
Miami could not find the answer for the one-two punch of Becky Gottstein and Jessalyn Deveny. Both contributed with 20 points, while Gottstein also grabbed 12 rebounds, earning a double-double in the process.
Tamara James, the five-time Big East Rookie of the Week and the conference’s leading scorer at 24.8 points per game, struggled against the taller BC frontcourt. Often finding herself double teamed, James was held to just 17 points, shooting five of 17 from the field.
“I got frustrated and got taken out of my game,” James said. “I started forcing shots….I don’t think we were nervous, we just didn’t get the job done.”
The Hurricanes entered the contest on an impressive run. Miami’s eight-game winning streak, their longest since 1992, included an impressive 3-0 record on an early January road trip with wins over Georgetown, Syracuse, and #6 Notre Dame.
However, on what should have been a great day with the opening of the Convocation Center, instead found Miami unable to defend their home court.
“This is our house,” Labati said. “We are proud of it and wanted to defend it, but we just didn’t do a good job tonight,” said Coach Labati.
The Canes fall to 11-4 on the season and 3-1 in the Big East, while BC goes to 11-3 and 3-0 in the Big East with the win. Miami will look to bounce back from the loss and record a tough road victory against Pitt next Wednesday before coming back to the Convocation Center for games against Syracuse and Virginia Tech
Meanwhile, Miami’s chance at redemption versus BC will come in a March 1st meeting up in Chestnut Hill, MA. That is a game that the ‘Lady Canes vow will be different.
“We are going to try to go up there and give it to them,” guard Meghan Saake said. “This loss will motivate us to play that much harder on March 1st.”

You can reach Darren Grossman at DRG215@aol.com.

O-Line cannot do the job

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After their consistent success in developing one of the country’s best rushing attacks, as well as its rock-solid protection of Ken Dorsey, the offensive line was perhaps the last position any of the Miami consensuses worried about entering the Fiesta Bowl.
Head coach Larry Coker, however, thought otherwise.
“They’re very good at what they do, and we’re going to have to be patient,” said Coker in the days leading up to the national championship game. “We’re going to not have to get frustrated if we don’t get the big plays.”
The concerns of Coker rang true during the national championship game as Miami’s offensive line was consistently dominated in the Hurricanes 31-24 double overtime loss. The unit, which allowed just 11 sacks in the regular season, surrendered four against the menacing Buckeyes’ defensive line, including one that resulted in a Dorsey fumble.
Dorsey’s two interceptions could also be partially blamed on the offensive line’s inability to consistently handle Ohio State’s blitzes, particularly on the right side, where Will Smith and Kenny Peterson had a field day.
The Buckeyes front four also outmaneuvered Miami’s offensive line in the running game, where the Hurricanes mustered just 65 yards, nearly a third of their average.
“We didn’t protect the quarterback, and we didn’t establish a running game,” offensive line coach Art Kehoe said. “In the end, it all showed. We all have to take blame for that.”
Entering the game, Ohio State coach Jim Tressel pointed to the Hurricanes running game as being the key weapon for their success, and the most important thing for OSU’s defense to shut down. During the first half, it was evident that the Buckeyes spent a considerable amount of time dissecting the Miami’s ground game and were familiar with the various schemes that Coker and offensive coordinator Rob Chudzinski had implemented throughout the season, as they held McGahee to under 30 yards rushing.
The sophomore tailback would have more success in the second half, as the offensive line improved on its run blocking, giving McGahee more room to maneuver towards the outside.
“[Ohio State] were moving and blitzing every single down like they were trying to stop the run, and they were stopping the pass at the same time,” right guard Chris Myers said. “We did better with the running game in the second half – the first half we just [stunk].”
Individually, the Hurricanes offensive lineman struggled in their matchups as well. In addition to Myers and Carey, seniors Sherko Haji-Rasouli and Brett Romberg had problems as well. Romberg allowed his first career sack to Ohio State’s Tim Anderson, and was in no mood to express much verbal communication after the game.
“Romberg was quiet, very quiet,” lineman Ed Wilkins said. “I’ve never seen him at a loss for words.”
The ‘Canes offensive line also struggled mightily during Miami’s final possession. The Hurricanes could not punch the ball into the end zone on four attempts from the one-yard line. On fourth down, blitzing linebacker Cie Grant broke through the line, getting to Dorsey and causing the UM quarterback to rush a throw from his back foot, which would fall incomplete.
“I don’t want to take anything away from Brett or Sherko, because they gave so much to this program, but they’d be the first ones, myself included, to put the heat on us,” Kehoe said. “We didn’t protect the quarterback and we didn’t establish a running game. We had a chance to put them away at the 1-yard line [twice in overtime] and didn’t get it done.”
The lackluster performance in the Fiesta Bowl does not take away from the offensive line’s growth throughout the season. The trio of Vernon Carey, Chris Myers and Carlos Joseph, none of who had a collegiate start entering the 2002 season, blossomed into more than capable starters. The continued growth of the three will be important with the departure of the ‘Canes two best linemen, Romberg and Haji-Rasouli. For now, junior Joel Rodriguez and senior Joe McGrath are the favorites to fill the open slots.
“If Joel gets a little tougher, and McGrath comes back and goes to work, we’re going to be good next year,” Kehoe said. “But it all starts with the maturity process. If you’re not playing, some guys have a tendency to kind of just sit back, not working as hard as they should be, and that’s what some guys have been doing.”

You can reach Jeremy Marks-Peltz at jmp310@hotmail.com

Letdown at the Convocation Center

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The first couple of months of the Hurricane men’s basketball team’s 2002-2003 season seemed like a roller coaster ride with many ups and downs.
On some nights, the 7-6 (0-2 Big East) ‘Canes showed that they can play with anyone in the nation. Other nights, coach Perry Clark’s team looked like they still have a long way to go before becoming a major contender.
The Hurricanes, led by captains James Jones and Darius Rice, have been very competitive in the majority of their games thus far. Clark says the future looks bright, especially with the success of the team’s five freshmen (Armondo Surratt, Robert Hite, Gary Hamilton, Eric Wilkins, and Ismael N’Diaye), who have all contributed key minutes while learning the rigors of Big East play very quickly.
“Our five freshmen have all been integrated into the rotation and are consistently improving,” Clark said. “Armondo Surratt has grown already, Gary Hamilton has come out of nowhere to give us some big minutes, and Robert Hite has already had to guard some of the best players in the country.”
Along with the continuing progress of the youngsters, the steady leadership of Jones and Rice has kept the team together and on task. Both are amongst the conference leaders in scoring and help the team in every aspect of the game.
“Leadership is an action and James and Darius have both displayed that,” Clark said. “Darius has really stepped up in the big games and James is the consummate leader on and off the court. They both have tremendous character.”
“I just try to give my teammates confidence by going out and playing hard every night,” Jones said. “If I do that it sets a positive example for everyone else.”
The ‘Canes started their non-conference schedule in late November with convincing wins over New Hampshire, Texas A&M, and Savannah State, raising expectations for the upcoming Big East season. However, the following three games, all losses to Florida Atlantic, Florida State, and Charlotte, revealed weaknesses in the team’s defense and a lack of consistency.
“We were burnt early in a couple of games that we shouldn’t have lost,” Clark said. “We aren’t as consistent defensively as last year and we still need to develop a third scoring threat to go along with James and Darius.”
After the three disappointing setbacks, the ‘Canes responded with quality performances against premier teams, losing by a point (94-93) to Florida in double-overtime, followed by a 64-61 win over North Carolina in OT at the opening of the brand new Convocation Center, and a hard fought 83-80 loss in Connecticut. With a 7-6 record, the ‘Canes need efforts like those to make a run at the NCAA tournament.
“With our current record we can’t afford to take any games lightly,” Clark said. “We can’t look past anyone because we learned earlier in the season that teams can sneak up on you that way.”
Clark feels that this year’s Big East conference should play out very similar to the last couple of years, which means that no one team will be able to run away with the title.
“The Big East is a ‘dog eat dog’ type of conference,” Clark said. “In our first two games with Connecticut and West Virginia we have already been exposed to how strong of a conference we play in.”
Jones is eager to see how the next few weeks of the season play out.
“We are looking forward to the Connecticut and St. John’s games,” Jones said. “They are our rivals and we want to play hard for our fans in the new building and make a run at the Big East title.”
The Canes travel to Seton Hall Saturday before returning home for a rematch with Connecticut on Monday night at 7:00, a game that will be televised on ESPN.
“We need the fans to support us for these upcoming home games,” Jones said. “It gives us a special advantage when the crowd is energetic.”

You can reach Eric Kalis at elk777bc@hotmail.com